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Classic Comedies:

Funniest Flick
Moments and Scenes

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Championship Screen	Moving-picture show Title/Yr and Scene Descriptions	Screenshots
	Hail the Acquisition Hero (1944) a fast-paced, mistaken-identity tale and screwball comedy from satirist author/director Preston Sturges the character of medically-excused and humiliated Marines reject Woodrow Truesmith (Eddie Bracken) (for hay fever), who was urged to return to his hometown - to his mother (Georgia Caine) and his ex-girlfriend Libby (Ella Raines) (who was engaged to marry wealthy 4-F reject Forrest Noble (Beak Edwards), the son of the town'south mayor); he would arrive with the fabricated story that he was wounded in battle and honorably discharged; in San Diego, he met up with a group of veteran Marines just returned from Guadalcanal, led by conniving Sgt. Julius Heffelfinger (William Demarest), who were supportive and accompanied him on the train to his home, providing him with a compatible and medals to wear Woodrow's frenzied homecoming inflow in Oakridge, California, where he was embarrassed to be met with a patriotic hero'southward welcome (with a statue to be erected in the town foursquare to immortalize his service), with 4 marching brass bands (led by an exasperated Reception Commission Chairman (Franklin Pangborn)), and Mayor Noble (Raymond Walburn), Judge Dennis (Jimmy Conlin), and ex-mayoral candidate Md Bissell (Harry Hayden) there to greet him the burning of Woodrow'southward mother'south mortgage note by the Reverend Upperman (Arthur Hoyt) Woodrow's pleadings that he didn't deserve the accolades and was not a hero, interpreted by the townsfolk as humility Woodrow's concluding heartfelt speech - the best scene in the flick - when he confessed to the deceptions ("If I could reach equally high as my male parent'south shoestrings, my whole life would be justified - and I would stand up here before you lot proudly instead of equally the thief and the coward that I am"); he was ready to leave (when information technology was discovered that he was a fraud and was discharged a year earlier), only was bolstered by a new effort to accept him run as Mayor in an upcoming ballot because of his courageous honesty ("WIN WITH WOODROW")
	One-half Baked (1998) the 'Munchie Run' scene of kindergarten instructor Kenny Davis (Harland Williams) who was deputed to go buy lots of junk food at a grocery store by his stoned roommates - Brian (Jim Breuer) instructed: "Get some sour cream and onion chips with some dip, human being, some beef jerky, some peanut butter. Go some Häagen-Dazs ice cream bars, a whole lot, brand certain chocolate, gotta have chocolate, man. Some popcorn, red popcorn, graham crackers, graham crackers with marshmallows, the niggling marshmallows and footling chocolate bars and nosotros can make s'mores, man....Also, celery, grape jelly, uh, Cap'due north Crisis with the little Crunch berries, pizzas. We need two big pizzas, man, everything on 'em, with water, whole lotta water, and Funyons"; Thurgood Jenkins (Dave Chappelle) added: "Get me a box of condoms, and, uhm, what's that stuff? We used to eat information technology all the time back in the day? Pussy, that's correct" subsequently his shopping expedition, Kenny was carrying two large grocery bags of junk food and 2 pizza boxes; he spoke to an NYPD cop's tired, diabetic horse tied up outside the store: "Hey, girl! Ya hungry?" - but a black, overweight passerby (Jenni Burke) misinterpreted that he was speaking to her and felt insulted: "F--one thousand you, nigger!"; he responded: "Hey, I'thou sorry! I was talkin' to the horse hither"
	The Hangover (2009) a vulgar, obscenity-filled quasi-comedy/bromance caper about the outlandish adventures of four guys ("The Wolfpack") in Las Vegas during a one-night available party: Alan Garner (Zach Galifianakis), the bride's perverted and disguised brother, Phil Wenneck (Bradley Cooper), a married schoolteacher, Doug Billings (Justin Bartha), the bridegroom, soon to exist married to Tracy Garner (Sasha Barrese), Alan'southward sister, and Stu Cost (Ed Helms), a Jewish dentist their awakening in a spacious, now-wrecked hotel villa at Caesar's Palace the following morning afterwards a search for the missing Doug, with severe hangovers (and no memory) of what had occurred the night earlier afterward celebrating with a rooftop toast; they establish a burned burrow, a baby, a tiger, a chicken, and more the aboveboard digital snapshots and the retracing of their steps to reveal what had happened to the group during their long evening together Stu'south participation in a marriage ceremony in Vegas' THE BEST Petty CHAPEL (run past Eddie), hitching up with a stripper/escort named Jade (Heather Graham) who was the single mother of baby Tyler left in their villa'due south closet the scene of a strange, naked, feisty and gay Asian gangster Leslie Grub (Ken Jeong) who was locked in their car'due south trunk, jumped out and began chirapsia them up with a crowbar; as the naked guy (with a minor penis subconscious in massive amounts of pubic hair) wielded the weapon, Alan shouted out: "Nobody's gonna f--thou on you! I'm on your side! I hate Godzilla! I hate him too! I hate him! He destroys cities! Please! This isn't your fault. I'll become you some pants" the Bengal tiger in their hotel villa's bathroom belonged to boxer Mike Tyson (Himself) and had been taken from his mansion (where they joined the legendary boxer in a sing-along to Phil Collins' In the Air Tonight) the discovery of Doug - severely sunburned and trapped for a day and a half on the roof of Caesar's Palace where he had tried to signal his whereabouts by throwing his mattress from the rooftop onto a statue below Stu's missing front tooth that he had pulled out with a pair of pliers every bit part of a dare from Alan the discovery of Chow's $lxxx,000 in Bellagio fries in Doug's pocket the hilarious out-takes in the final credits sequence (to the melody of Flo Rida'due south and Kesha'due south Right Round), showing what had happened during the previous night - including pictures found in a discarded photographic camera ("Some of it's fifty-fifty worse than we thought"); the group decided to view the pictures together only one fourth dimension - "and and so nosotros delete the prove"; the images included Alan passed out next to a topless female person and enjoying a lap dance, and also having his fatty belly pierced, partying with Carrot Tiptop, and encounters with Las Vegas vocaliser Wayne Newton and boxer Mike Tyson
	Happy Gilmore (1996) the opening credits sequence of Happy Gilmore (Adam Sandler) in a lengthy vocalism-over explaining why he was destined to play hockey: "My name is Happy Gilmore. E'er since I was old enough to skate, I loved hockey. I wasn't really the greatest skater though. Just that didn't stop my dad from didactics me the secret of smacking the greatest slap shot. My dad worshipped hockey, my mom didn't. That's why she moved to Egypt, where there's not a hockey rink inside 1500 miles. Dad ever took me to games to cheer for our favorite actor, Terry O'Reilly, the Tasmanian Devil. He wasn't the biggest guy in the league, but he feared nobody, just like me. Handsome fella, huh? He always said that when I grew up, I could be anything I wanted to be, merely I never wanted to be anything but a hockey actor. Yep, my childhood was goin' peachy, but life is full of surprises. After the funeral, I was sent to live with my grandma in Waterbury. I was kinda nervous since I really didn't know her that well, but she dressed like Gene Simmons from KISS to cheer me upwards. She's the sweetest person in the globe. See after my dad died, I developed kinda a short fuse. That child right there merely stole my party blower, and instead of askin' for it dorsum, I felt I had to belt him in the head a bunch of times with a hammer. Look at me go. Merely most of the fourth dimension, I was quick to say I was sorry. During loftier school, I played junior hockey and nonetheless agree two league records; nigh fourth dimension spent in the penalty box, and I was the merely guy to ever take off his skate and try to stab somebody. After I graduated, I had a lot of different jobs; I was a road worker, a janitor, a security baby-sit, a gas station bellboy, and a plumber. Lately, I've been workin' structure. Information technology'due south not a bad racket. I'chiliad a pretty practiced shot with a nail gun, but, uh, ane 24-hour interval my boss, Mr. Larson, uh, got in the fashion. Evidently he also has a short fuse. Wait at that monster. He got a few lucky punches in there, merely I still feel I won the fight. Anyways, those jobs weren't for me. I was put on this planet for one reason - to play hockey"
	Harold & Kumar Go to White Castle (2004) in this comedy about two stoners driving to a White Castle, the scene of Harold Lee (John Cho) and Kumar Patel (Kal Penn) picking up hitchhiking, high-on-ecstasy, very horny Neil Patrick Harris (equally Himself but out of grapheme), and Kumar'due south question about his office as Doogie Howser M.D. on Telly: "And so, I gotta ask yous Neil, did you ever get information technology on with Wanda off the ready?" - he replied: "Dude, I humped every piece of ass ever on that evidence" except then he antiseptic that he didn't go all the mode with the "hot nurse" Harris offered a suggestion: "Dude, I don't even know where the f--k I am right now. I was at this party earlier tonight and some guy hooked me up with this incredible "X" - adjacent affair I know, I'm being thrown out of a moving car. I've been trippin' assurance ever since...Forget White Castle, permit'due south go get some pussy!...It'south a f--rex sausage fest in here, bros. Let's go some poontang, then nosotros'll go to White Castle...I've been craving burgers, too. Furburgers. Come on, dudes, let's choice up some trim at a strip club. The Doogie line always works on strippers. (singing) Lapdance..."
	Harold and Maude (1971) the grapheme of troubled and morbid xx yr-quondam introverted rich kid Harold (Bud Cort) who staged many very realistic, elaborately-faked suicides (hanging by a noose, cut wrists and throat, immolation, shooting, stabbing, drowning, etc.) for his desperate, widowed, socialite domineering mother Mrs. Chasen's (Vivian Pickles) (Vivian Pickles) 'benefit' (and her typical reaction: "I suppose yous think that's very funny") - often in front of dates arranged by her his pretending to chop off his own left manus at the wrist with a meat cleaver during a dry, dull brunch with her and Edith Phern (Shari Summers), and his subsequently, deadly and precisely-asked question: "Do you.. like ...knives?" the funny scene in which Harold's over-bearing, match-making mother filled out his computer dating service questionnaire for him: ("Did you enjoy life when yous were a child?" -- "Oh aye, y'all were a wonderful baby, Harold"), while he calmly loaded a revolver to commit fake suicide, and her continual efforts to set upward Harold on bullheaded dates after "bride interviews" Harold'due south unlikely dear affair with 79 yr onetime funeral-loving, complimentary-spirited Maude (Ruth Gordon) - a concentration-campsite survivor that he first met at a stranger's funeral service -- Harold drove a hearse Harold'due south response to his ineffectual and detached psychiatrist'south query about what he did for fun and enjoyment: "I get to funerals" - with eccentric and gratuitous-spirited 79 yr-old soulmate Maude the scenes of Maude stealing a car and evading a motorcycle cop Harold's talk with hawkish, crazed, i-armed Uncle Victor (Charles Tyner), "General MacArthur's correct-hand man," who recommended that he sign up for Ground forces boot camp immediately, to "take on a man's job": "Now, that's what this country needs - more Nathan Hales" the incredible scene when Harold performed harakiri in front end of his drama pupil engagement Sunshine Doré (Ellen Geer) who also unwittingly acted out the tragic scene from Romeo and Juliet with her dagger finding its sheath in her chest Harold'due south growing adoration for Maude: (Harold: "Yous sure have a way with people." Maude: "Well, they're my species!") the scene of a priest's (Eric Christmas) impassioned warning to Harold nigh having sex with an elderly person: ("I would be remiss in my duty if I did not tell you that the idea of intercourse: and the fact of your firm, young trunk co-mingling with the withered mankind, sagging breasts and flabby buttocks, makes me desire to vomit")
	Harvey (1950) the movie's entire premise: eccentric and cheerful, often inebriated and 42 year-one-time dipsomaniac Elwood P. Dowd (James Stewart) had an invisible friend (identified as a "pooka" or mischievous Celtic-Irish spirit of mythology - "a fairy spirit in animal form") - a giant 6 human foot three-and-a-half-inch rabbit named Harvey that accompanied him everywhere; he was oblivious that he was an embarrassment to his family and that others couldn't meet his furry white friend Elwood had obviously become an embarrassment to his family, including Elwood's eccentric older sister Mrs. Veta Louise Dowd Simmons (Josephine Hull), and Veta's unmarried girl Myrtle Mae Simmons (Victoria Horne) - Elwood's niece; Elwood was beingness accused of continually driving people away due to his lunacy, and causing his family members to feel "disgraced" and become social outcasts, while preventing Myrtle from meeting eligible immature men every bit Elwood walked virtually town, he carefully guided Harvey across a busy street, causing befuddlement amid townfolk who saw him talking presumably to himself (they couldn't meet his big furry white friend); he oft spent time drinking in Charlie's Bar, where he ushered Harvey to a seat at the bar; the bartender Mr. Cracker (Dick Wessel) humored Elwood by acknowledging his friend and accepting his strange behavior although Veta questioned Elwood'due south sanity, she surprisingly and ironically occasionally could see Harvey and acknowledged his presence Veta led efforts to get Elwood committed to an insane asylum, Chumley'due south Rest, run by Dr. William Chumley (Cecil Kellaway); she convinced Elwood to join her in a bulldoze to the front end of the gated institution; while sitting in the backseat side by side to Harvey in a taxi driven by Henry Riley (Norman Leavitt), the delusionally-lunatic Elwood caused confusion when he spoke to Harvey: - Elwood "Charming place, isn't it, Harvey?" - Henry: "Name's Henry." - Elwood: "Information technology'southward Henry, Harvey." - Henry: "No, just apparently Henry." at the sanitarium, the frazzled Veta spoke to Nurse Miss Ruth Kelly (Peggy Dow), and to attending young assistant physician Dr. Lyman Sanderson (Charles Drake) in his role; Veta insisted: "I desire him committed out here permanently because I cannot stand another day of that Harvey!"; due to her absurd insinuations about her blood brother and a rabbit, she ashamedly admitted: "Every in one case in a while, I see this big white rabbit myself! Now, isn't that terrible! And what'south more, he'south every bit as big as Elwood says he is!"; thinking that she was a mental case herself, Dr. Sanderson decided to immediately acknowledge Veta for treatment instead of Elwood; white-coated orderly Marvin Wilson (Jesse White) was ordered to seize her, and he forcibly carried her over his shoulder to the upstairs ward shortly afterwards, Dr. Chumley realized that Dowd was actually the insane one, so a boondocks-wide search commenced for Elwood to render him to Chumley'south; four hours later, Elwood was eventually tracked down to Charlie'southward Bar but plant solitary; he asserted to Dr. Sanderson: "Well, I've wrestled with reality for 35 years, Doctor. And I'm happy to state I finally won out over it"; he claimed that he had spoken with Dr. Chumley, but the md had wandered off with Harvey later several rounds of martinis to another articulation; the pleasant and sane-sounding Dowd recalled how he seemed to be able to magically convince Dr. Chumley of Harvey'due south existence ("At showtime, Dr. Chumley seemed a little frightened of Harvey, but that gave way to admiration every bit the evening wore on") Wilson arrived with a policeman and they grabbed Elwood to have him dorsum to the sanitarium; back at the infirmary, a disheveled, frazzled and slightly paranoid Dr. Chumley (who feared that he was being followed by the invisible presence of Harvey) arrived on foot, entered, and was there to meet privately with "beatnik" Dowd in his office Chumley had obviously taken a liking to Harvey, and requested that Harvey be allowed to stay with him for a while (presumably so he could experience a fanciful dream trip to Ohio); Dowd had told him virtually Harvey'due south miraculous powers - he could finish time and miraculously send anyone to a destination: "Did I tell you he could stop clocks?... Well, y'all've heard the expression 'His face up would stop a clock'? Well, Harvey can look at your clock and cease it. And you tin go anywhere y'all like, with anyone y'all like, and stay equally long as you similar. And when y'all go back, not one minute will have ticked past....Y'all see, science has overcome fourth dimension and space. Well, Harvey has overcome not merely time and space, but any objections" Dr. Chumley described his own perfect, therapeutic two-week destination: Akron, OH, to visit a "cottage camp" in a beautiful grove of maple trees, accompanied past common cold beer and a pretty, strange, but quiet woman - who afterward listening to his deepest, locked-upwardly secrets would call him a "poor, poor thing" as the flick concluded, Veta at get-go complained that Dowd had refused a cure for his rabbit-hallucinations (by an injection of a serum known every bit "Formula 977"): "I don't think I'd treat it") over Veta's objections ("I wish there might never be another tomorrow! Non if Myrtle Mae and I have to go on living with that rabbit! Our friends never come to see us anymore. We accept no social life whatever! We've no life at all. We're both perfectly miserable"; but then to delight his older sister, Dowd politely agreed to accept the treatment in Dr. Sanderson's office when Veta conspicuously realized that Dowd's cure would be worse than his ailment (he would negatively change and revert dorsum to "a perfectly normal human existence, and you know what stinkers they are"), she intervened to finish the injection Harvey briefly remained behind with Dr. Chumley (who asked: "Have you ever been to Akron?"), simply later on an instantaneous trip of two weeks to Akron, Harvey rejoined Elwood as he walked out of the infirmary's gates toward the passenger vehicle stop; the two followed behind Veta and Myrtle as they headed into the sunrise, as Elwood responded to Harvey: "Well, thank you, Harvey. I prefer you also"	Elwood Speaking to Harvey in the Backseat of a Taxi Veta Wrongly Admitted to Chumley's Rest Sanitarium Instead of Elwood - Kicking and Screaming Elwood Admiring a Painting of His Invisible Friend-Companion Harvey Dowd'due south Description of Harvey'due south Miraculous Powers to Dr. Chumley in His Role Dr. Chumley's Clarification of a Dream Trip to Akron, Ohio All of the Major Characters Back at Chumley'due south Residual Hospital in the Film's Decision Ending Image: Elwood Walking with Harvey To the Bus Stop
	Heaven Tin Wait (1978) a n updated version of Here Comes Mr. Hashemite kingdom of jordan (1941) a story about Los Angeles Rams quarterback Joe Pendleton (Warren Beatty) who returned to earth (after a premature expiry due to an mistake by heavenly escort (Cadet Henry)) in the body of a recently-murdered and eccentric billionaire Leo Farnsworth his dilemma: faced with his principal assistant Tony (Charles Grodin) and Leo's scheming wife Julia (Dyan Cannon) - lovers who were plotting to murder him!
	High Anxiety (1977) In Mel Brooks' hilarious comedy - a satirical parody of famous moments and scenes from diverse Hitchcock films - and his fourth spoof moving picture afterwards Blazing Saddles (1974), Immature Frankenstein (1974), and Silent Motion-picture show (1976): the lead starring office of Richard H. Thorndyke (Brooks himself) every bit a Hitchcock prototype (a wrongly-accused innocent homo on the run) - a psychiatrist with acrophobia, and the newly-appointed head of the Psycho-Neurotic Institute for the Very, Very Nervous the scene of Thorndyke'due south airport arrival, when an overly aggressive, screaming adult female (Pearl Shear) rushed at him, but she was only greeting her husband Harry, and Thorndyke's assessment of everything highlighted by strident orchestral music: "What a dramatic airport!" Thorndyke'due south photography-obsessed chauffeur Brophy (Ron Carey) ("I honey to accept pictures. I'thou very photogenic"), who during their bulldoze on an LA freeway, revealed the reason for the death of Thorndyke'due south predecessor: "I think Dr. Ashley was the victim of - foul play" - with a swelling of dramatic music on the soundtrack, accompanied past the anachronistic view of the Los Angeles Symphony Orchestra playing on a charabanc next to them (the gag revealed the divergence between a non-diegetic scoring cue and a diegetic one - one heard by the characters) the devious character of Nurse Charlotte Diesel (Cloris Leachman) and her pointy-breasted white uniform and manly mustache (introduced by Dr. Charles Montague (Harvey Korman) every bit "my right-hand homo, woman"), who had strict rules: "Those who are tardy (to dinner) do not become fruit loving cup" - she doubled equally a sadistic, Neo-Nazi dominatrix, with whom Montague afterward had a closet spanking session: (Montague: "I know y'all better than you know yourself. You live for bondage and discipline. Besides much bondage, non enough discipline") Thorndyke's ain tooth-brushing tutorial delivered to his ain mirror image as he brushed his teeth: ("Upward and down. Upward and down. Side, side, side, side, side. In and out. In and out. Side, side, side, side, side (repeated)") the psychiatrist's explanation for Thorndyke's high anxiety over acrophobia - with a flashback to his infancy and his abusive parents, and his insight in an epiphany: "It's not height I'm afraid of. It's parents!" the classic spoof scenes: an assail in a shower (stabbed by an angry bellhop (Barry Levinson) with a rolled-upward newspaper and paper ink - not blood - running downwardly the drain, and Thorndyke's quip: "That male child gets no tip"), a scatalogical scene involving a massive horde of pigeons on a park's jungle-jim that chased (and pooped) on Thorndyke Thorndyke's awkward spoken language to a psychiatric convention in San Francisco, when asked about his utilize of the term "Penis envy"; with two young children in the audition, he had to modify his terms, using "pee-pee envy", "balloons" (for breasts), "number one or cocky-doody" (terms related to toilet preparation), and the "woo-woo" (for the "female erogenous zone" or womb): "As I was saying, in a earth of predominantly male person-oriented psychology, it was merely natural to arrive at the term, pee - Pee, 'Peepee envy'" the re-create-catting of Hitchcock's filming style or camera angles - a through-the-door tracking shot into a dining room that crashed through the windowed doors, a low-angle shot looking up through a glass coffee table, but obstructed by a carafe, saucers, etc., an overhead shot in a padded cell (with all the actors of a sudden looking upwards at the camera), and another backwards-moving traveling shot in the last honeymoon scene that literally bankrupt through the wall the obscene phone call scene, when Thorndyke was placing a phone booth phone call to his love interest Victoria Brisbane (Madeline Kahn), a patient'south wealthy girl, and he was attacked from behind by assassinator "Braces" (Rudy DeLuca) (a take-off on Bond's "Jaws"); with the string wrapped effectually his pharynx to strangle him, all he could utter was "Ahhh," "Oooh," and "Uuhh" - afterwards resisting a little, Victoria interpreted his words every bit kinky sexual practice talk from an anonymous caller and responded: "How did you, uhm, get my room number...What are y'all wearing?...You're wearing jeans? I'll bet they're tight...Oh my God. You lot are an animal"; later he killed the attacker, he was able to speak to her, when she backtracked: "I knew it was you all the time. I just went along with it" the climactic tower scene (a replicated and parodied amalgam of Vertigo and Spellbound) with Thorndyke and Victoria caught on a aging staircase
	His Girl Friday (1940) a classic one-act - and one of the most fast-paced ever made, with numerous quips and wisecracks the frantic, overlapping whirlwind nature of the sophisticated, fast-talking battle of the sexes dialogue (and duel of wits) in the opening scene (and throughout the unabridged flick) between large-metropolis paper editor Walter Burns (Cary Grant) and his ex-reporter/ex-wife Hildy Johnson (Rosalind Russell); his main goal was to proceed Hildy from getting remarried to a country bumpkin fiancee named Bruce Baldwin (Ralph Bellamy) Walter's commencement meeting with Bruce Baldwin, but at first mistaking an older Mr. Davis in the function as Bruce classic ane-liners such as Hildy's clarification to Bruce of Walter's charm: "Well, he comes by it naturally. His grandfather was a ophidian" the hilarious restaurant-tiffin scene with Walter and Hildy's fiancee - the staid, dull, but devoted insurance salesman Bruce, when Walter deliberately sat betwixt the two of them, and his unending conniving to observe a way to dislodge Hildy from her imminent marriage and terminate the couple's impending move to Albany to live in Bruce'due south mother's firm; his words dripped in irony as he amusedly commented: Walter (sarcastically): "Oh, y'all're gonna alive with your female parent?...Oh, that volition be nice! Aye, yes, a abode with mother - in Albany besides!"
	Home Lonely (1990) the scene of 8 year-old Kevin McCallister (Macaulay Culkin) slapping also much after-shave to his cheeks - and screaming
	Equus caballus Feathers (1932) the opening scene of Professor Quincy Adams Wagstaff's (Groucho Marx) address to Huxley College faculty members and students: ("... As I look over your eager faces, I can readily sympathise why this higher is apartment on its back. The last higher I presided over, things were slightly different. I was flat on my back. Things kept going from bad to worse but we all put our shoulders to the wheel and it wasn't long before I was flat on my back again") Wagstaff's opening musical number: "I'm Against Information technology" the sequence at a speakeasy where Wagstaff attempted to guess doorman Baravelli'south (Chico Marx) hugger-mugger password ("swordfish") Pinky (Harpo Marx) providing a hot loving cup of java from the inside of his coat for a bum on the street Pinky's scene with his horse blocking traffic and a cop who wrote him a ticket the archetype Biological science classroom scene that degenerated into a peashooter fight between Wagstaff and two unruly students Wagstaff's romancing and serenading of flirtatious "college widow" Connie Bailey (Thelma Todd) with "Everyone Says I Honey Yous" - and their scene in a canoe on a duck pond - and his response to her baby talk: "If disgusting girl keep on talking that fashion, big stwong man's gonna kick all her teef wight downwardly her thwoat" the scene of the attempted kidnap of the two star Darwin College athletes the climactic zany Huxley-Darwin football game (partly inspired by the silent Harold Lloyd classic The Freshman (1925)) involving audible football signals, assistant peels, an elastic band, and a chariot
	Hot Rod (2007) the character of inept, goofy, wanna-be moped-riding stuntman Rod Kimble (Andy Samberg) - with a fake mustache and daredevil costume in his quest to be Evel Knievel - who was in a wood setting (his "serenity place") dancing to the tune of Moving Pictures' Never; in the big extended stunt scene while doing several impressive flips, trampoline jumps, cartwheels, pummel-horse gymnastics moves, and punch-dance routines, he careened over a huge log and suddenly, he began tumbling down the steep mountain grade - FOREVER the scene of Rod and his half-blood brother Kevin Powell (Jorma Taccone) discussing the proper pronunciation of his safe word: 'whiskey' the bizarre "Cool Beans" pseudo rap-song when Rod and Kevin together sang the words 'cool beans' the scene of Rod's hallucinatory "profound out-of-torso experience" (after a momentous crash during a jump over fifteen school buses) of a grilled cheese sandwich battling against a taco in a heavenly setting; earlier, he had asked dearest involvement Denise (Isla Fisher) who would win such a contest and she answered: 'Grilled cheese, merely only in a fair fight. If it's prison rules, I'd have the taco" - he noted: "Wow, that's pretty racist, but correct"; now, when he came to consciousness, he told Denise: "Denise, you were right, the taco won"
	Howard the Duck (1986) the clever opening credits sequence set in Howard T. Duck'southward Marshington DC flat (3636 Lakeside Dr.) located on a "duck" version of Earth (Duckworld), with duck-versions of everything ("Rolling Egg" Magazine, a film poster for "Breeders of the Lost Stork" with Indiana Drake, Mae Nest and Westward.C. Fowls in a My Piddling Chickadee film poster, Playduck Magazine, etc.) the sudden expulsion of Howard in his armchair into outer space (and his landing in Cleveland) the scene of the interstellar duck Howard saving the life of Beverly Switzler (Lea Thompson), a musician in a struggling punk rock band known as Blood-red Bomb, past declaring: ("That's information technology, no more Mr. Overnice Duck"), and fighting off mean street thugs with strange martial arts: ("Allow the female creature go! Every duck'due south got his limit, and you scum have pushed me over the line...No one laughs at a chief of quack-fu") the sequence of Howard the Duck having a "brewski" at Beverly's apartment, and albeit that he was having an identity crunch: ("What I don't know is what the hell I'yard doing hither! It's like a bad trip. I hateful, talk nearly an identity crisis"), and so when he fell asleep, Beverly'southward peek into his wallet, where she found his ID, photos, credit cards (MallardCard and Bloomingducks), cash bills with a duck President, and a condom! the hilarious scene in the Ohio Bureau of Employment Services where Howard was advised about finding a job past a big and outspoken counselor named Cora Mae (Virginia Capers) - warning that she didn't like dealing with a "slacker" or "misfit" like him: ("They call back that by trapsing in here and looking outlandish, they are not gonna be able to discover work....Practise you think that by looking controversial, you is never gonna find a job and just proceed coIlecting unemployment and living happy on the public dole. Well, dude, yous've got another matter coming! Because Cora Mae always places her interviewee. I'm gonna find your ass a job that'll wipe that snarl right off your face, little - whatever you is. In fact, I think I got only the position for you! I got a feeling y'all're gonna take to this chore like a duck to water") the strange seduction scene in Beverly'south apartment when Howard complimented her figure: ("I have developed a greater appreciation for the female person version of the human anatomy"); he joined her in bed to scout David Letterman on television, as he suggestively remarked: ("Maybe information technology'southward not a man you should exist looking for"); she wondered: ("Do you lot think I might find happiness in the creature kingdom, duckie?") and he proposed: ("Like they say, doll, love'southward foreign. We could always give it a try. Hmm?"); she called his barefaced and began unbuttoning the front end of Howard's shirt - every bit the feathers in the middle of his head flared up: ("OK, permit's go for information technology, Mr. Manlike...It's merely that you're then incredibly soft and cuddly...I just can't resist your intense beast magnetism"); he expressed his worry: ("Anyway, where will it all pb? Marriage? Kids? A firm in the suburbs?"), and equally she began to remove her blouse: ("Let'due south just face it, it'south fate"), he shied away from intimacy - but they shared a few short kisses, seen in silhouette the long extended scenes (about getting Howard dorsum home with a reversed cosmic ray) involving multiple hunt scenes and lots of explosions, including Howard and scientist/janitor Phil'south (Tim Robbins) ride in an ultralight shipping the grapheme of researcher Dr. Jenning (Jeffrey Jones) becoming possessed while driving: ("Mind, an evil has landed. The world is in great danger...It feels like something inside me gnawing at my guts! What's incorrect with me?..The hurting. It's like I'm transforming inside. I'm agape I'm about to go something else...Something's growing inside me...It'southward replicating and superceding all my internal organs!...That monster's shape I saw...It'due south inside my body...The end of the world is coming, and I volition be the cause of it...I'm not Jenning any more. The transformation is complete. I am now someone else") the scene in Joe Roma's Cajun Sushi eating place, when the waitress asked the possessed Dr. Jenning about his food order: ("What do you think he'd like to eat?"), with his reply: ("I no longer need human being food...You are about to witness the end of the former globe and the birth of the new"); then he explained his transformation into the Dark Overlord: ("I told you, bird brain, I am not Jenning any more! I am at present one of the Night Overlords of the universe... Tonight the laser axle hit the Nexus of Sominus...It lies beyond the planets. It is a region of demons to which we Dark Overlords were exiled eons ago...Just equally yous were brought downwardly here accidentally. Tonight, the light amplification by stimulated emission of radiation beam released me from that region of demons and pulled me downwards into that lab...During the explosion, I entered Jenning'southward body. So, I take disguised my true form which would be considered hideous and revoIting here...This will hateful the extinction of all existing life forms...My powers are growing"); he and then showed them the code-key - that he would soon use that night to activate the laser spectra telescopic to bring downward the other Dark Overlords; he concluded with the threat: ("Soon the Dark Overlords will engulf the World - Nothing human volition remain here") - and he soon destroyed much of the diner: ("If you can't stand up the oestrus, get out of the kitchen") and the scene of the possessed Dr. Jenning driving a truck with Beverly every bit his hostage - and at one point - using his extended tongue to excerpt power from the vehicle's dashboard cigarette lighter; he so entered an Exhaust Emissions Testing surface area, where he used a laser-beam blast from his optics to obliterate other cars - and then joked: "Smog inspection!" the sequence of the Dark Overlord of the Universe (created by George Lucas' special effects division) transforming into a monstrous scorpion-similar beast Howard's coming to the saving rescue and defeating the monstrous animate being by blowing it to smithereens with an experimental "neutron disintegrator" light amplification by stimulated emission of radiation the film'south conclusion with Howard (strumming a red electrical guitar) and Beverly on-stage and singing together: "Howard the Duck"
I
	I'm No Angel (1933) the motion-picture show's opening - one-band circus and sideshow carnival barker'south (Russell Hopton) tempting of a crowded audience, and his introduction of carnival queen and dazzling international pocket-sized-time, vamp circus star performer Tira (Mae Westward) in a sequined, tight-plumbing fixtures gown: ("Over there, Tira, the cute Tira, dancing, singing, marvel of the age, supreme flower of feminine pulchritude, the girl who discovered you don't accept to have feet to be a dancer") Tira's sauntering archway on the catwalk and her purring to spectators to follow her behind the curtain: ("A penny for your thoughts....Go the idea, boys....Ya follow me?") the terminal courtroom scene (Tira was wearing a flooring-length black gown and fur wrap), when she sued lover Jack Clayton (Cary Grant) for breach of promise; she flirted with the estimate, and asserted her right to have lots of male person acquaintances to her own lawyer: "Why shouldn't I know guys? I've been effectually. I travel from coast to coast. A matriarch like me can't make trips similar that without meetin' some of the male population" her cocky-defense when she acted as her ain lawyer, and at one point quipped: ("How'm I doin'?"); with her hands on her hips, she sashayed in front of the male person jury, and cantankerous-examined many male witnesses before having the case dismissed the courtroom scene ended with a risque one-liner and memorable quip when she was asked why she knew and so many men in her life: "Well, it'south non the men in your life that counts, it's the life in your men"
	The In-Laws (1979) a light-hearted, odd-couple comedy with the funny and unpredictable teaming of the title'south in-laws: respected, mildly neurotic NYC dentist Sheldon Kornpett (Alan Arkin) and lunatic simply wily CIA agent Vince Ricardo (Peter Falk) all of Vince's wild tales, specially his one near being in the Guatemalan jungle bush for nine months in the mid-1950s on a consulting trip - with tse-tse flies the size of eagles that carried off native children: "They have tsetse flies down in that location the size of eagles....Really. In the evening, I would stand in front end of my hut and watch in horror equally these giant flies would pick children off the footing and carry them away....Oh, it was an incredible sight. Peasants screaming, chasing these flies down the route, waving brooms. You can imagine the pathetic quality of this. Waving these crudely fashioned brooms at these enormous flies as they carried their children off to about certain death...Flies - natives had a proper name for 'em. Jos Grecos de Muertos. 'Flamenco dancers of expiry.'...The enormous flies flapping slowly away into the sunset. Small brownish babies clutched in their beaks...A sight I'll never forget. I was stunned. Appalled...Sadly, in that location is very little you can practice because of the tremendous red tape in the bush....Enormous red tape, Sheldon. These flies, for instance. They're protected confronting pilferage nether the provisions of the Guacamole Act of 1917" the wild adventure taken past them from Manhattan to a Central American dictatorship (the fictional Latin American republic of Tijada) where they were greeted by Senator Jesus Braunschweiger (Eduardo Noriega), as Vince noted: ("They're all crooks downwards here. At to the lowest degree this one don't make any basic almost it"); all of a sudden the Senator was shot dead by snipers, and Sheldon asked: "Is he dead?" Vince replied: "If he's alive, he's puttin' on a hell of an act, ain't he?"; every bit they fled from the random gunfire to escape, Vince yelled out that they should non run in a straight line, but use a serpentine weaving pattern, while retrieving the automobile keys from the expressionless man'south pocket: "Serpentine Shelly. Serpentine!" Tijada'due south leader: counterfeiter General Garcia'due south (Richard Libertini) who proposed a new national flag - a portrait of himself aslope a topless local native hamlet prostitute, with his complaint: "If it was not for the church, this flag would already today be flying at the U.North. Simply no, they stand up in the way, THEY STAND IN THE Style!" the firing team scene (with a chorus of sharpshooting executioners), when Vince and Shelly demanded blindfolds and cigarettes, and Shelly's dismay: "Oh, oh, am I shot, am I shot?" - when gunfire was heard from a rescue team of CIA agents the last scene at the nuptials, when the 2 in-laws were confronted by Vince'southward boyfriend CIA amanuensis Barry Lutz (Ed Begley, Jr.), who hadn't been formally invited; Shelly apologized: "It's simple. We counted wrong, Bar...Nosotros only made a mistake....In the counting of the invitations." And then Barry said that he was just "ribbing" them, and presented them with a $50 savings bond from the bureau, as the ceremony began - and a bi-plane abaft a "HAPPY WEDDING" sign dropped balloons
	The Interview (2014) the conversation between talk show host Dave Skylark (James Franco) and Aaron Rapaport (Seth Rogen), his show producer: - Aaron: "What is at that place to be jealous of?" - Dave: "F--kers detest u.s.a. 'cause they ain't us!" - Aaron: "They hate us 'crusade we anus? What the f--k does an anus have to exercise with this?" - Dave: "They hate united states of america 'crusade they AIN'T us!" - Aaron: "That's not what information technology is!"
	It Happened 1 Night (1934) the pursuit of spoiled runaway heiress Ellie Andrews (Claudette Colbert) by recently-fired, scheming and self newspaperman Peter Warne (Clark Gable) - a tale of two mismatched individuals the "Walls of Jericho" scene when the two were separated in their shared twin bedroom in an autocamp by a clothesline and a blanket: (Peter: "Well, I like privacy when I retire. Aye, I'm very delicate in that respect. Prying eyes badger me. Behold the walls of Jericho! Uh, maybe not as thick as the ones that Joshua blew down with his trumpet, but a lot safer. You run into, uh, I have no trumpet"); she fled to her side when he later warned: ("...you got nothin' to worry nigh. The walls of Jericho will protect yous from the big bad wolf") Peter also provided a lesson on how men undress, and bared his chest without an undershirt: "Yous know, it's a funny affair nigh that. Quite a study in psychology. No two men do information technology alike. You know, I once knew a man who kept his hat on until he was completely undressed. At present he fabricated a picture show. Years later, his underground came out. He wore a toupee. Yeah. I have a method all my own. If y'all find, the coat came first, then the necktie, then the shirt. At present, uh, co-ordinate to Hoyle, later that, the, uh, pants should be side by side. There'due south where I'm different..." and later, Peter'south breakfast lesson on how to douse donuts and how real folks eat: ("Dunking'southward an art. Don't let it soak and then long. A dip and (he stuffed the donut in his mouth) plop, in your mouth. Let it hang there too long, it'll go soft and fall off. It's all a matter of timing. Aw, I oughta write a book about it") the scene of their charade of 2 nosy private investigators by impersonating a make-believe, quarreling married couple - he berated her for flirting with a "big Swede" on the Elks' dance floor so insulted her: ("You're just like your quondam man. One time a plumber's daughter, ever a plumber'due south daughter. There'southward not an ounce of brains in your whole family unit"); when the flabbergasted detectives left, the machine-camp director commented: "I told yous they were a perfectly nice married couple" the pollex vs. show-some-leg hitchhiking technique scene at the side of the road; Peter condescendingly lectured Ellie: ("It's all in that ol' thumb, see?...that ol' thumb never fails. It'southward all a matter of how yous do it, though"); after a detailed lecture on the three proper and right ways that mutual people hail passing cars while thumb hitchhiking, he failed miserably and she suggested her method: ("Oh, you're such a smart alec. Nobody knows annihilation but you. I'll end a car and I won't use my thumb...Information technology'south a arrangement all my own") - she provocatively raised her skirt above the knee, exposing a shapely, stockinged leg and garter - an immediately constructive technique - the next car screeched to a halt; she joked: ("Well, I proved once and for all that the limb is mightier than the thumb"); he quipped back: ("Why didn't you take off all your clothes? You could have stopped forty cars")
	Information technology's a Souvenir (1934) In director Norman Z. McLeod'due south very funny comedy: the hilarious grocery shop sequences (with a number of slapstick segments and sight gags) involving bumbling New Jersey store possessor Harold Bissonette (W. C. Fields) and his incompetent store clerk Everett Ricks (Tammany Young) Bissonette'due south eccentric patrons included a disruptive and grumpy Mr. Jasper Fitchmueller (Morgan Wallace) who kept requesting "ten pounds of kumquats - and I'thou in a hurry", a cantankerous, blind/deaf and subversive Mr. Muckle (Charles Sellon) - a house-detective wearing sunglasses and wielding a pikestaff, and Baby Ellwood Dunk (Baby LeRoy) spreading molasses all over the floor; all the while, Harold rushed around responding to an increasingly-exasperated Mr. Fitchmueller, promising: "Coming, coming..." equally Muckle approached the store, Bissonette screamed out to Everett: "Open the door for Mr. Muckle" - knowing that full-scale destruction of the store was virtually to happen; unable to become to the closed front door in fourth dimension to open information technology, the irrascible old Muckle smashed its plate glass window with his wildly waving cane, shouting out: "You got that door closed again!" with an ear trumpet, the hard-of hearing Muckle but purchased a stick of chewing gum afterward a prolonged, difficult conversation with Harold - and then proceeded to destroy a brandish of calorie-free bulbs that exploded as they dropped to the floor; when leaving the store after demanding the delivery of the gum, Muckle successfully smashed the other forepart door'southward window on his way out, cheerfully adding: "Well, you got that door closed again!" a later tour-de-forcefulness episode: the funny sequence of the bedeviled Harold's continued attempts to peacefully sleep on his faulty dorsum porch swing while bothered by a milkman and his rattling glass milk bottles (Harold requested: "Please finish playing with those sleigh bells, will ya?"), a coconut noisily bouncing down the steps, an insurance salesman (T. Roy Barnes) looking for Carl LaFong, past Infant Douse dropping grapes on him ("Right on the proboscis!" and his exclamation: "Shades of Bacchus!"), a chattering, sing-song repartee-conversation between immature Miss Abby Douse (Diana Lewis) and her mother about whether she should buy ipecac or syrup of squill for Babe Dunk, a squeaky clothesline, and a noisy vegetable/fruit vendor (Jerry Mandy) Harold's conversation with the salesman was priceless: - Salesman: Carl LaFong, Capital 50, small a, uppercase F, small o, small north, modest yard. LaFong. Carl LaFong. - Harold: No. I don't know Carl LaFong - Capital L, small a, Capital letter F, minor o, small due north, small one thousand. And if I did know Carl LaFong, I wouldn't admit it! the entire California trip sequence - Bissonette'due south dreamland where he imagined owning an orange grove - including their family picnic scene (non at a camp or picnic grounds, just on the private lawn of an exclusive mansion) where they littered everything with garbage and pillow feathers their arrival at Harold's property - located in a disaster area - a dessicated section of sunbaked desert country with a "Tobacco Road" ramshackle shack on it - although due to practiced fortune, the worthless country was immediately purchased past a developer for a race-track and grandstand for a windfall amount of $44,000!- in the final scene, a triumphant, vindicated and relaxed Harold was on the porch of his new prosperous property: "Bissonette's Blue Bird Oranges" where he was mixing screwdriver cocktails and lazily reaching out and effortlessly plucking an orangish from a nearby lush tree
	Information technology'due south A Mad Mad Mad Mad World (1963) an epic-length road-trip comedy known for its all-star cast and its many quick-cut cameo performances, including Jack Benny, the Three Stooges, Sterling Holloway, Andy Devine, Joe Due east. Brown, Jerry Lewis, Don Knotts, Buster Keaton, Arnold Stang, Zasu Pitts, and Carl Reiner among many others the film's premise: the mad-cap dash for $350,000 allegedly buried in Santa Rosita State Park near the Mexican border under "The Big Westward" - the cash was stolen from a tuna mill xv years earlier past ex-convict "Smiler" Grogan (Jimmy Durante), who literally "kicked the bucket" after a auto crash, but was able to reveal the treasure's location during his last words: "Look, there's this dough, see? There's all this dough, $350 Gs! Do yous hear what I'thou sayin'? $350 Gs! In the park, in Rosita, Rosita Embankment State Park just south of Dago in Santa Rosita. It'southward in this box buried under this...buried under this large W. You'll see it. You'll see it under this, under this big W. Ya can't miss information technology, a big, a large W. And it'southward been there, and information technology'south been layin' there for 15 years....You simply drive downwardly and dig it up. Dig it all upwardly. And so, and so ya fix yourselves all up. Set yourselves all up. Walk downwardly the street like a king, back to the old neighborhood. See the fellas, the dames, the dames, all with a big howdy, a big hello for erstwhile Smiler. Good old Smiler - everybody's friend" by aeroplane, car, and other modes of transportation, the various individuals and groups recklessly struggled to get to Santa Rosita Park - for instance, truck driver Lennie Pike (Jonathan Winters) was stranded on a route with only a petty girl'southward bike to ride; there were multiple auto crashes and chase sequences, plane mishaps, the destruction of a gas station and hardware store, and one car sank crossing a river the many unusual characters, including dim-witted, life-guard son Sylvester Marcus (Dick Shawn), a mama's boy (with his hip-swiveling, laconic girlfriend (Barrie Chase) to the vocal "31 Flavors" - referring to kissing - performed by the Shirelles) who promised to race to his loud-mouthed mother Mrs. Marcus (Ethel Merman) instead of toward the treasure ("You stay right at that place, because I'm coming, Mom. I'yard coming to get you lot right now, Mom") - she called him "a big, stupid, musculus-headed moron!" for not listening to her the conversation betwixt businessman J. Russell Finch (Milton Berle) and Britisher J. Algernon Hawthorne (Terry-Thomas), who spoke out against America and its preoccupation with breasts: "I should be positively astounded to hear of anything that could be said for it. Why, the whole bloody place is the most unspeakable matriarchy in the whole history of civilization! Expect at yourself, and the way your wife and her strumpet of a mother push you through the hoop! Equally far as I tin meet, American men have been totally emasculated. They're like slaves! They die like flies from coronary thrombosis, while their women sit under hairdryers, eating chocolates and arranging for every second Tuesday to exist some sort of Mother's Day! And this positively infantile preoccupation with bosoms. In all my time in this wretched, God-forsaken country, the one thing that has appalled me most of all is this preposterous preoccupation with bosoms. Don't you realize that they have become the dominant theme in American culture, in literature, advertizement and all fields of entertainment and everything? I'll wager you anything you like. If American women stopped wearing brassieres, your whole national economy would collapse overnight" the discovery of the meaning of "The Big West" - 4 palm trees forming the letter W, and the digging up of the treasure, soon stolen by Police force Helm T.Thou. Culpeper (Spencer Tracy) of Santa Rosita, culminating in many of the treasure-seekers becoming stranded on a burn-escape of a condemned edifice during the frenzied chase (and the people beneath were showered with the cash), and individuals were flung in various directions during a death-defying try to rescue them with a fire-truck'southward extension ladder the infirmary finale, where the injured and bandaged (many in traction) talked about their fate; Culpeper told them that everyone didn't take to worry because he would be getting the harshest penalty: ("My wife is divorcing me. My mother-in-police is suing me for damages. My daughter is applying to the courts to have her proper name changed. My pension has been revoked. And the only reason that y'all ten idiots will very likely get off lightly, is because the judge will accept me upwardly there to throw the volume at!...I'd like to think that quondam, maybe 10 or xx years from now, there'd be something I could laugh at... Annihilation"); then, Mrs. Marcus marched into the hospital fly and slipped on a banana skin, causing anybody to laugh uncontrollably, painfully, and hysterically at the sight - fifty-fifty Culpeper joined in

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